lulucarpenters.com

Roasters of Fine Coffees in beautiful Santa Cruz, California

Aug
1
to Oct 1

Cheree Bailey at Coffee Cat

Artist Statement

What I find interesting is the transience of all things, the seemingly random nature of life, and beauty that can be found in the most unusual places. I like to explore ideas that are enigmas. My work is more of a question than an answer. Some of the themes I incorporate involve juxtapositions of life and death, vulnerability and ferocity, the tame and the wild. We all are destined to exist, transform, and decay. We live, love, and die in just a blip before we’re gone. I wanted to show that in a seemingly chaotic and random world, there is still beauty. All those little insignificant details are what make up a life and our whole world.

 

 

 

 

 

 

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Aug
2
to Sep 3

Tyler Benjamin Speas at Pacific Avenue

 

Tyler Benjamin Speas was born in Waukesha, Wisconsin on October 26th, 1984. He moved to Milwaukee in 2003, where he attended the University of Wisconsin, Milwaukee, Peck School of the Arts. He graduated in 2008 with a BFA. He has been practicing art and living in Santa Cruz ever since.

Artist Statement

Being uncomfortable helps you grow.  My work covers many different subjects and styles.  The main connective tissue is the feeling of unease or discomfort.  Whether it’s a disturbing monster or a simple face looking at something undefined, my aim is to show the audience something that causes an inexplicable sense of concern.  it can be blatant, or very subtle.  Regardless, I never want people to be fully confident in what they are feeling.  My hope is that the observer creates their own circumstances for the unsettling feeling.  Being uncomfortable helps you grow.

I mainly work with pen and acrylic inks.  A lot of it is mixed media.  I am greatly influenced by street art, folk art, pop art and comic books.

 

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Jul
2
to Aug 4

Melody Overstreet at Pacific Avenue

CELESTIAL DRIFT

This series of collagraph prints explores the subtle groove of the universe through textural marks, fragmented impressions, and muscular gestures. Utilizing art as a mode of inquiry, Melody creates compositions with tiny winnowed seeds, plant dust, an awl, oil-based ink, sandpaper, and a hand-saw. She works to depict a micro and macroscopic perspective that highlights the life cycle of plants, the body's interior rhythms, and celestial happenings. Through this work, she seeks to describe and hold space for the immense wonderment that composes and sustains us.

Melody Overstreet is an Iranian-American artist, poet, and educator. She has exhibited her work locally as well as internationally, with her most recent series landing at the Rui Cunha Foundation in collaboration with the Yun Yi Arts and Cultural Communications Association in Macau, China. Her work has been featured in publications inclusive of Seed Broadcast, Inverness Almanac, and Chinquapin Quarterly. She currently lives in Santa Cruz, California where she teaches Book Arts at Kirby School, and offers nature-craft centered workshops through UCSC's Arboretum, Cabrillo College Extension, and The Santa Cruz Natural History Museum. Her educational approach emphasizes the importance of connection to our origins through place, community, and seeds.

 

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Jul
1
to Aug 5

Ronit Reznichky at Coffee Cat

A few years ago, as I walked into the Open Studios in Santa Cruz for the first time, I was drawn into a studio full of energy and vivid colors. It was there that I met an artist, Sefla Joseph, who opened my eyes to the world of figurative abstract, and paved a new path in my life. I joined Sefla’s painting group and quickly found the power to dare - given to me through painting.

Moving to the Santa Cruz Mountains after years of teaching in the Bay Area gave me the peace, solitude, and mindset required to create my paintings. Surrounded by redwoods and maple trees, with piles of paint and brushes by my side, I have been able to explore colors, shapes, figures and expressions.

I find beauty in the spontaneous brush strokes and in the unknown outcome. There is no right or wrong.

I invite the viewer to imagine, to listen to the expressions in the paintings and to hopefully feel the connections I strive to create with my work.

 

 

 

 

 

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Jun
4
to Jul 5

T. Mike Walker at Pacific Avenue

T. Mike Walker grew up in San Francisco and received his MA in Language Arts from San Francisco State University, where he taught creative writing from 1962-1965. From 1960-63 he worked full-time as a San Francisco policeman. From 1967-1968 he taught high school English in the Haight Ashbury District in San Francisco. From 1965 – 1968 Walker explored making collages and selling them through the Psychedelic Shop on Haight Street. Walker published three books based on his experiences: Voices From The Bottom of the World: A Policeman's Journal (Grove Press, 1970); Respect, Hippy High School in the Summer of Love (self-published, 2004), and The Butterfly Bride and Other Tales from a Wedding Minister. All three are available from www.amazon.com

From 1968 - 1998 Walker taught English full-time at Cabrillo Community College. After he retired from teaching he returned to creating visual art. In addition to collage, he draws, and paints in watercolor, and acrylic. He has exhibited widely in Santa Cruz County for over a decade, appearing in many group and juried exhibitions, as well as solo shows. He co-creates collages via consignment for posters,book-covers, etc., writes poetry in his spare time and
plays keyboard at least an hour each day. He is also working on another novel.

 

 

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Jun
1
to Jul 4

Melody Overstreet at Coffee Cat

CELESTIAL DRIFT

This series of collagraph prints explores the subtle groove of the universe through textural marks, fragmented impressions, and muscular gestures. Utilizing art as a mode of inquiry, Melody creates compositions with tiny winnowed seeds, plant dust, an awl, oil-based ink, sandpaper, and a hand-saw. She works to depict a micro and macroscopic perspective that highlights the life cycle of plants, the body's interior rhythms, and celestial happenings. Through this work, she seeks to describe and hold space for the immense wonderment that composes and sustains us.

Melody Overstreet is an Iranian-American artist, poet, and educator. She has exhibited her work locally as well as internationally, with her most recent series landing at the Rui Cunha Foundation in collaboration with the Yun Yi Arts and Cultural Communications Association in Macau, China. Her work has been featured in publications inclusive of Seed Broadcast, Inverness Almanac, and Chinquapin Quarterly. She currently lives in Santa Cruz, California where she teaches Book Arts at Kirby School, and offers nature-craft centered workshops through UCSC's Arboretum, Cabrillo College Extension, and The Santa Cruz Natural History Museum. Her educational approach emphasizes the importance of connection to our origins through place, community, and seeds.

 

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May
4
to May 29

Bredette Dyer at Coffee Cat

“We all have a lot of brokenness inside us; cracks and splinters where the light shines through to infect the darkness.” Alex Myles

Having lived through homelessness, addiction, and abandonment, I know what it is to feel broken. I have been to the dark depths of my being. This darkness has been a gift. Hoping to find a glimpse of another’s soul through their windows is the basis of human connection. See beauty through the darkness; the broken. Know the wreckage of one’s past and heal that with your presence. This is unconditional love.

Exploring this abandoned house, I found the rooms to hold so much life. It moved me in ways I didn’t think possible. There is a mix of yearning and complete understanding as if to say, “I know you. I see your darkness and I think it’s beautiful.”

Photographed with a Hasselblad Medium Format Camera.

Fiber Based Silver Gelatin Print

Bredette Dyer has been studying photography for over 20 years. When she is not knee-deep in academics, meditating the insanity away, or riding roller coasters with her son, she can be found lost in the darkroom.

bredette@gmail.com

 

 

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May
1
to Jun 5

Janice Serilla at Pacific Avenue

I have been an artist all my life. I used to mainly draw with graphite pencils and color pencils.
Back in my 20’s, I was always asked to draw my coworkers pets and children. I did quite a few over the years, but then when I moved to Santa Cruz from the Detroit area in 2009, I started working with clay. I began creating hand built pieces and tiles. From there, I stumbled into the world of sewing and became very crafty!

I eventually started Mackerilla Design in 2001, when I started to design and sew up fabric handbags. I sold many of my “Mackerilla” bags here in Santa Cruz, as well as all over the country as well as a few overseas. I now sell my handbag designs in sewing pattern form on many online retail sites as well as my own Etsy page.

I always wanted to get back to being an artist again, and stated, “I would try painting at some point off in the distant future”...but early in 2014, a friend of mine said to me “why wait?!” She was right! Why wait?! So I dug through my art supplies, found some old brushes and bought some acrylic paints.  Then I had to decide what my subject would be. Of course, since I am a passionate pet person, dogs would be my first subject!

After my first few dog portraits of practicing painting my pets, I was asked to paint a neighbors dog. Then, after posting photos on my Facebook page, Gimpy Pets, and my art page, Janice Serilla Design, I started to get more clients for custom pet portraits! That is how it all started! I now switch between days of painting, and days of a bit of sewing and designing.

I really love painting! I am so glad I was pushed to start now, instead of waiting! I'm having fun with it, and I'm looking forward to where this will take me! I can’t wait to buy a giant canvas to do something huge!!!    

 

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Apr
3
to May 4

Anne Green at Pacific Avenue

Exhibitions

2018

April: Solo show, Lulu Carpenter’s, Santa Cruz, CA

January and February: Solo show, Stockwell Cellars, Santa Cruz, CA 2017:

December: Solo show, Coffee Cat, Scotts Valley, CA

September: Group show, Sonoma Artists Guild, Sonoma, CA

July: Group show, San Francisco Women Artists (SFWA), San Francisco, CA

May: Solo show, Lulu Carpenter’s, Santa Cruz, CA

2016

July-August: Stockwell Cellars, Solo show, Santa Cruz, CA

2015

August, Stockwell Cellars, Solo show, Santa Cruz, CA

July: 85th Annual Landscape Exhibit-Santa Cruz Art League, Santa Cruz, CA

1990

Los Angeles County Museum of Art (LACMA) Rental Gallery, Group show 1989: Los Angeles Open Studios

1987

San Francisco Art Institute: Survey, Group show

1986

Onyx Gallery: One person show
L.A. Art Core: Wall Works, Group show Design Center Art Gallery, group show Long Beach Art Association: Group show

1984

 Crocker Museum, group show 1983: Richmond Art Center, group show

Collections

Lori Kearney, Aptos, CA Maria Paterno, Sausalito, CA

Linda Arnold, Santa Cruz, CA

Dennis Hagen and Diane Sipkin, Santa Cruz, CA Paradox Hotel, Santa Cruz, CA

Barbara and Billy Gorson, Santa Cruz, CA

Roger Workman, Los Angeles, CA

Teacher: Figure Drawing and drawing classes in Los Angeles from 1987-1995

Otis College of Art and Design

Art Center College of Design,

Los Angeles High School for the Arts

Brentwood Private School

Education

BFA, San Francisco Art Institute – 1980

website: www.annegreenpaintings.com

email: annegreenpaintings@gmail.com 

 

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Apr
2
to May 3

Janice Serilla at Coffee Cat

I have been an artist all my life. I used to mainly draw with graphite pencils and color pencils.
Back in my 20’s, I was always asked to draw my coworkers pets and children. I did quite a few over the years, but then when I moved to Santa Cruz from the Detroit area in 2009, I started working with clay. I began creating hand built pieces and tiles. From there, I stumbled into the world of sewing and became very crafty!

I eventually started Mackerilla Design in 2001, when I started to design and sew up fabric handbags. I sold many of my “Mackerilla” bags here in Santa Cruz, as well as all over the country as well as a few overseas. I now sell my handbag designs in sewing pattern form on many online retail sites as well as my own Etsy page.

I always wanted to get back to being an artist again, and stated, “I would try painting at some point off in the distant future”...but early in 2014, a friend of mine said to me “why wait?!” She was right! Why wait?! So I dug through my art supplies, found some old brushes and bought some acrylic paints.  Then I had to decide what my subject would be. Of course, since I am a passionate pet person, dogs would be my first subject!

After my first few dog portraits of practicing painting my pets, I was asked to paint a neighbors dog. Then, after posting photos on my Facebook page, Gimpy Pets, and my art page, Janice Serilla Design, I started to get more clients for custom pet portraits! That is how it all started! I now switch between days of painting, and days of a bit of sewing and designing.

I really love painting! I am so glad I was pushed to start now, instead of waiting! I'm having fun with it, and I'm looking forward to where this will take me! I can’t wait to buy a giant canvas to do something huge!!!    

 

View Event →
Mar
5
to Apr 3

Davina Pritchard at Pacific Avenue

Davina Pritchard is a native of Santa Cruz who lives part-time in the Costa Rican jungle in a tiny dwelling she's building herself. 

Though she’s been an artist since childhood, the vibrant flora and fauna of Costa Rica inspired her to take up painting in earnest. She is known for her red eyed tree frogs. They get big smiles, which she says are her greatest reward as an artist. 

Since she travels frequently, wherever she goes, her artwork varies as the influences change. "The inspiration is endless in nature, exotic places and cultures. Wandering feeds my creativity."

Davina works with acrylic, oil, driftwood, rusty hardware and reclaimed materials, or "anything fun". 

A truly international artist, she has exhibited in France, Costa Rica, California, and her paintings can also be found in Australia, Germany, and Italy.

Contact: davina.pritchard@gmail.com

 

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Mar
1
to Apr 1

Gero Heine at Coffee Cat

About Gero Heine

Born in Germany, Gero Heine’s early experiences roaming the Black Forest and exploring the Alps and Dolomites sparked a lifelong passion for wilderness and wildlife.  Likewise, his interest in photography began in childhood as he spent countless hours in bookstores, fascinated by compelling images of exotic and faraway lands.

As a high school student he moved to Santa Cruz, California with his family.  He soon became an avid surfer and his relationship with the natural environment was deepened by his connection with the ocean and frequent encounters with the abundant marine life of the Monterey Bay.

After graduating from Pepperdine University and spending 13 years in the corporate world, Gero fulfilled a lifelong dream and began traveling to Africa.  Profoundly affected by the vast expanse and astonishing diversity of wildlife, he resolved to pursue photography professionally as a fine art.  In addition to his now regular trips to Africa, he has found great inspiration in the stunningly captivating scenes of the Western United States, and more recently, India.

Gero has been actively involved in African conservation efforts and has participated in a lion research project.  His work is exhibited in art shows, festivals and galleries.  His first gallery exhibit's proceeds were directed to support a grass roots conservation organization in Zambia.

Gero won the Wildlife Category of Nature's Best Photography Magazine's prestigious Windland Smith Rice International Awards in 2010, with his image "Bison" consequently displayed at the Smithsonian National Museum of Natural History in Washington D.C.  His image "Male Tiger Scratch-Marking Tree" was recognized as Highly Honored in the Windland Smith Rice International Awards' Endangered Species Category.  It was also recognized a Top 10 image by NANPA (North American Nature Photography Association) for 2011, and was selected a Winning Finalist in the 2013 "Great Outdoors" Contest by PDN Magazine.

Artist Statement

My inspiration comes from the natural raw beauty that exists precariously beyond the relentless push of modern development.  I believe that the essence of a scene can be revealed when one’s own perceptions are applied to a pure, objective reality. With each photograph, I allow the natural elements of color, shape, and motion to resonate with an echo of my own feelings in that very moment.  My goal is to present a timeless image that invites an individual emotional response for each viewer.  I want the essential element in each subject to inform my aesthetic and technical choices. Color can be a powerful element triggering great emotional impact. Other scenes call for a black and white or sepia interpretation to best reveal the flow of shape, contour and mood.

Work Description/Medium

I consider myself a fine art nature photographer, and my work is comprised of approximately 40% landscapes and 60% wildlife.  15-20% of my overall body of work is black & white or sepia toned.  All of my subject matter is photographed on location in the wild.  I now edit digitally for contrast and color correction, but to maintain a photographic purity no elements are added or removed.  Effects such as motion blur are created "in camera."

I print all of my work that is on paper and to be matted and/or framed.  I choose either a matte watercolor fine art paper or a luster baryta fiber fine art paper to communicate the personality of each image as I subjectively deem appropriate for each print.  I am happy to give my recommendation on what surface may be best suited for the display environment that the print will be placed in.  All of my prints and mats are 100% cotton, containing no optical brighteners for optimum archival quality.  I carefully color manage my viewing and printing work environment and generate profiles for each paper I use.  Matted prints are also for sale, sealed in clear bags, and tastefully presented in print bins.  

Lately I have been furnishing metal prints, featuring a modern, frame-less look.  This stunning form of display renders images almost three-dimensionally.  Although a top rate national lab does the actual dye infusion, I edit all the files, and insist that the lab merely does the printing, while not "touching" my work in any way.  I primarily use mid gloss and sheer surfaces.  A 1.25” aluminum frame is cemented behind the print plate, presenting a frame-less appearance from the front, while creating a solid work of art.

A Word on Wildlife Photography

It is my goal to capture rare moments or thought provoking, unusual compositions of animals in their natural environment.  It is critical for me to record special and fleeting moments without interfering with the animals' natural behaviors in any way.  I therefore maintain a safe and non-disturbing distance by using very large telephoto lenses and if possible, use my vehicle as a "blind."  Sometimes animals will venture close enough to my vehicle where I can use a smaller focal length lens however.  Light sources such as flash is used sparingly and only if no disturbance to my subjects is observed.

 

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Feb
5
to Mar 5

T.S. Anand at Pacific Avenue

I’ve been cutting and pasting, or tearing and pasting, in some form or another, as long as I can recall. These selected collages were a daily practice. 

Source magazines — selected at random.

Tearing — intuitive & immediate. Arranging/composing.

Then gluing.

Repeat.

This show speaks to the artist’s interest in the topography of dreams, popular culture in relationship to the natural world, and contemporary figures in the landscape—from real to surreal.

T. S. Anand received a Bachelor of Fine Arts degree (focusing on cast-bronze sculpture, and with an emphasis on art education) from the University of California at Santa Cruz. She subsequently earned a Master of Fine Arts degree in Spatial Art and New Media from San Jose State University. Born in Toronto, Canada, she is a long-time resident of Santa Cruz.

T. S. taught as adjunct faculty for University of California in Santa Cruz, San Jose State University, Monterey Peninsula College, and Cabrillo College. She provided multiple-activity art programing (ceramics, book-arts, collage, printmaking) for the unique student body at the Cabrillo College Stroke and Acquired Disability Center.

Currently, T. S. facilitates mixed-media classes for the William James Association’s Prison Arts Project, inside the Santa Cruz County Main Jail. Teaching art, and particularly teaching the collage-making process to the incarcerated, has greatly influenced her recent work—some of which is on display here.

All artwork is available for sale directly from the artist. 

sundaridesigns.weebly.com

 

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Feb
5
to Mar 1

Peter Wargo at Coffee Cat

This body of work reflects a desire to let the creative flow take more of the control. A less meticulous approach was embraced, and the tool choice reflects this. The acrylic pieces were made using many aerosol, acrylic, and dry pastel layers watered together with acetone, resulting in a dreamy abstract atmosphere. The digital pieces were made completely on Procreate using an iPad and Apple pencil. These tools were new, the last few months of 2017. The overall theme is that of science fiction inspired locations, places that we cannot go, and yet we can. The imagination is a door to anywhere.

Peter Wargo grew up in Napa Valley and Sonoma County. He spends his time now between Santa Rosa and Santa Cruz.

wargoarts@gmail.com                

Instagram @planetary_visionaries                                                                                                   

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Jan
11
to Feb 5

Jason Cowan at Pacific Avenue

For me, art is about creating and showing something that didn’t exist in a recognizably tangible form before. The idea, the emotion, the sense, those things existed, but the visible imagery associated with them was illusive. My definition of true art and creativity is to go to a place which you weren’t entirely sure existed, then give that space form, then present it to those who may have felt it’s presence, but did not know how to see it.

The craft of what I do is a resistance against the society of now, a rejection of ephemeral technology, ease, and the modern moment. Though the individual materials (the paint, the wood) may travel the globe before reaching me, the process of construction and application is very much an old technique. My paintings begin in the lumberyard, or the scrap pile, where I first select the wood that I then cut and plain, and laminate, and recut, and laminate again to form the structure upon which I eventually paint.

The painting or mark making itself is usually, at its most effective, an act of desperation.  The failure must come before the success. The beauty must be lost before I can recognize its value. And having lost it, I must then I must claw my way back to it.  

JAC

 

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Jan
3
to Feb 3

T. Mike Walker at Coffee Cat

T. Mike Walker grew up in San Francisco and received his MA in Language Arts from San Francisco State University, where he taught creative writing from 1962-1965. From 1960-63 he worked full-time as a San Francisco policeman. From 1967-1968 he taught high school English in the Haight Ashbury District in San Francisco. From 1965 – 1968 Walker explored making collages and selling them through the Psychedelic Shop on Haight Street. Walker published three books based on his experiences: Voices From The Bottom of the World: A Policeman's Journal (Grove Press, 1970); Respect, Hippy High School in the Summer of Love (self-published, 2004), and The Butterfly Bride and Other Tales from a Wedding Minister. All three are available from www.amazon.com

From 1968 - 1998 Walker taught English full-time at Cabrillo Community College. After he retired from teaching he returned to creating visual art. In addition to collage, he draws, and paints in watercolor, and acrylic. He has exhibited widely in Santa Cruz County for over a decade, appearing in many group and juried exhibitions, as well as solo shows. He co-creates collages via consignment for posters,book-covers, etc., writes poetry in his spare time and
plays keyboard at least an hour each day. He is also working on another novel.

 

 

View Event →
Dec
12
to Jan 12

d. Hooker at Pacific Avenue

www.DHooker.com             dhooker@dhooker.com                 831.462.3430

 

Paintings and Commissioned Portraits

 

SELECTED PUBLICATIONS:     BOOK- Uncommon Portraits, DB      

On Becoming Human, Dr. Nancy Tanner

Wet Art, Book and DVD

                                                            MAGAZINES 2012-

Catamaran Literary Reader,  Fall 2012                      Interior Design, August 2012

CD COVER- Resting with the Question by Ferron  

AWARDS:                            

THIRD PLACE, Sculpture, KTEH Televised Auction,            jurors- Sandra Phillips, S F MOMA

EXHIBITION AWARD, Santa Cruz Art League

HONORABLE MENTION, San Diego Art Institute

FIRST PLACE, FIFTEEN, PVAC, Watsonville

GRANT WINNER, Project award-Art For Art, Santa Cruz Cultural Council, 2010 and 2011

PROFESSIONAL:                   

Art Director- Cabrillo Music Festival,

BLUE UMBRELLA COLLABORATIVE

Art Director- SPRING FORWARD AGAINST CANCER

Co-director, ART FOR ART, www.artforart.org

Teacher and lecturer, Studio Workshops

Co-director of the SANTA CRUZ ARTISTS’ ASSISTANCE & RELIEF FUND, (SCAARF).

Curator, Santa Cruz Libraries

Vanguard

Lulu Carpenter

Coffee Cat

 

RELATED WEBSITES:

www.scaarf.org

www.DHooker.com

www.artforart.org

 

SELECTED SHOWS:

2017:  

ARRT, Santa Cruz, CA

APRILICITY, Santa Cruz, CA

MASTERS OF SANTA CRUZ, Santa Cruz, CA

OPEN STUDIOS, Santa Cruz, CA

PVAC Gallery, Watsonville, CA

CABRILLO MUSIC FESTIVAL, Santa Cruz, CA

T. ELLIOTT GALLERY, Riverside, CA

LULU CARPENTERS, Santa Cruz, CA

VANGUARD, Santa Cruz, CA

 

2016:  

ANNE & MARK’S ART PARTY, San Jose, CA

OPEN STUDIOS, Santa Cruz, CA

PVAC Gallery, Watsonville, CA

CABRILLO MUSIC FESTIVAL, Santa Cruz, CA

T. ELLIOTT GALLERY, Riverside, CA

ARTISANS: Featured Artist, Santa Cruz, CA

THE FIGURATIVE SHOW, Robert Blitzer Gallery, Santa Cruz, CA

 

2015:  

OPEN STUDIOS, Santa Cruz, CA

PVAC Gallery, Watsonville, CA

CABRILLO MUSIC FESTIVAL, Santa Cruz, CA

T. ELLIOTT GALLERY, Riverside, CA

SV LIBRARY SHOW

THE FIGURATIVE SHOW, Robert Blitzer Gallery, Santa Cruz, CA

 

2014:  

CABRILLO MUSIC FESTIVAL, Santa Cruz, CA

THE ART PARTY, San Jose, CA

OPEN STUDIOS, Santa Cruz, CA

PVAC Gallery, Watsonville, CA

LULU CARPENTERS, Santa Cruz, CA

 

2013:  

T. ELLIOTT GALLERY, Riverside, CA

ART HANG Santa Cruz Institute of Contemporary Art

THE ART LOFT: Portraits of Santa Cruz

ART HANG: Soquel, CA

ART IN THE GARDEN, Santa Cruz, CA

 

2012:  

SANTA CRUZ COLLECTS, Museum of Art & History, Permanent collection.          

ART FOR ART, Robert Blitzer Gallery

WET ART, The Rittenhouse Bldg, Santa Cruz, CA

ART HANG GALLERY, Tannery Arts Center, Santa Cruz, CA

OPEN STUDIOS, Presented by the Cultural Council of Santa Cruz

T. ELLIOTT GALLERY, Riverside, CA

 

2011:   

MIX IT UP, ART LEAGUE, Santa Cruz, CA, juried

ART HANG DECEMBER, Santa Cruz, CA, invitational show

OPEN STUDIOS SANTA CRUZ 2011, juried

ART LEAGUE’S MIXED MEDIA SHOW, Santa Cruz, CA juried,

 PVAC Gallery, Watsonville, CA, awards show

MULTIPLES, PVAC Gallery, Watsonville, CA, invitational show

EVERYDAY PEOPLE, Santa Cruz County Bank, curated by Joan Blackmer

SCCBG Art Auction, Santa Cruz, CA, Director

THE ART PARTY, San Jose, CA, invitational show

ART HANG, July, Santa Cruz, CA, Director

T. ELLIOTT GALLERY, Riverside, CA

 

2010: 

FOUR, PVAC Gallery, Award Show, Watsonville, CA

ART FOR ART DECEMBER 2010, co-director

ART FOR ART 2010, Santa Cruz, CA, co-director

FIFTEEN, PVAC Watsonville, CA, *First Place, invitational show

THE ART PARTY, San Jose, CA, invitational show

LULU’S, Santa Cruz, CA, invitational show

OPEN STUDIOS SANTA CRUZ, juried

MONTEREY PENINSULA COLLEGE, solo, invitational show

MOTIV, Santa Cruz, CA, invitational show

 

Pre-2009:      

OPEN STUDIOS SANTA CRUZ, juried

LULU’S, Santa Cruz, CA invitational show

ART EXTRAVAGANZA SIERRA AZUL, Watsonville CA, guest speaker

THE ART PARTY, San Jose, CA, invitational show

DI MODO, San Jose, CA, invitational show

 EMILY, Soquel, CA, invitational show

 BACH FEST, Carmel, CA, juried

 MINIATURES, Monterey Museum of Art, 

 SANTA CRUZ MUSEUM OF ART, invitational show

 COMMUNITY CHEST, Santa Cruz, CA invitational show    

OPEN STUDIOS Santa Cruz, CA, juried

ART PARTY, San Jose, CA invitational show

LULU’S, Santa Cruz, CA. invitational show

ART FOR ART 2008, Santa Cruz, CA. co-director

L’ATELIER, Santa Cruz, CA. invitational show

TANNERY ART CENTER, COW SCULPTURE invitational show

SEABRIGHT, Santa Cruz, CA invitational show

VINO CRUZ, Santa Cruz, CA, invitational show

THE DEAD COW GALLERY, Santa Cruz, CA invitational show

SPLAT, Santa Cruz, CA invitational show

LULU’S, Santa Cruz, CA invitational show

OPEN STUDIOS, Santa Cruz, CA, juried

SANTA CRUZ MUSEUM OF ART, invitational show

CAMERON MARKS, Santa Cruz, CA, invitational show

SPLAT, Santa Cruz, CA, invitational show

 LULU’S, Santa Cruz, CA invitational show

 SC OPEN STUDIO, juried

SPRING FORWARD Art Auction, Santa Cruz, CA, art director

THE ATTIC, Santa Cruz, CA, invitational show

LISA COSCINO GALLERY, Pacific Grove, CA invitational show

? GALLERY, Santa Cruz, CA, invitational show

604 GALLERY, Santa Cruz, CA juried

MONTERY MUSEUM OF ART, Monterey, CA juried

GALLERY 104, SAN CLEMENTE, CA juried

EAST BAY PRO ARTS OPEN STUDIOS, Oakland CA

SOHO GROUP, Watsonville, CA invitational show

ACAC SMALL WORKS, Sacramento, CA, juried

RIVERSIDE ART MUSEUM, Riverside, CA juried

KOBE EARTHQUAKE EVENT, San Francisco, CA juried

SAN DIEGO ART INSTITUTE, CA, * HONORABLE MENTION juried

NATIONAL WOMEN'S CAUCUS FOR ART, San Francisco, CA juried

GALERIA PACIFICO, Puerto Vallarta, Mexico,  2008

TRITON MUSEUM, San Jose, CA, * juried

NATIONAL WOMEN'S CAUCUS FOR ART, San Francisco, CA juried 

SUN GALLERY, Hayward, CA * juried

KTEH TELEVISED LIVE AUCTION San Jose, CA *Third Place, Sculpture

SCAL 'MEMBERS ONLY', Santa Cruz, CA. * EXHIBITION AWARD

NATIONAL WOMEN'S CAUCUS FOR ART, Long Beach, CA, juried

DANCING MAN GALLERY, Santa Cruz, CA., solo

SANTA CRUZ ART CENTER, Santa Cruz, CA. solo

OPEN STUDIOS SANTA CRUZ juried

LISA COSCINO GALLERY, Pacific Grove, CA, juried

17TH AVENUE STUDIOS, art at work, 2004, Santa Cruz, CA, invitational show

PEARL GALLERY, Santa Cruz, CA, invited artist

ELOISE PICARD SMITH, Santa Cruz, CA, SOLO, invitational show

NATIONAL WOMEN'S CAUCUS FOR ART, San Francisco, CA *juried

LINDA POPE GALLERY, BLACK AND WHITE, invitational show

LINDA POPE GALLERY, PLEASE BE SEATED, Santa Cruz, CA. invitational show

KUUMBWA CENTER, Santa Cruz, CA, juried,  solo

 

SELECTED COMMISSIONED WORKS:

 

Craig & Cory Rowell

Rick & Ruth Moe

Lloyd Tabb & Lisa Williams

The Gardner Family

Sam & Allison Wurstbaugh-Miller

Jonathan & Jill Winston

Diane Grunes

Paul Burdick

Melissa Collins

Will & Cher Roblin

Gretchen Hurley

Richmond Holt

Don Russo

Michael Conte & Toni Sutherland

Alfaro Winery

Everett Farms

Hillary Nigh

Joe & Aleta Johnson

Hester Bell

Jim Hessling

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Dec
3
to Jan 3

Anne Green at Coffee Cat

My work is about color, energy, light and shadow. I translate aspects of nature and my relationship to it through paint creating an artistic vocabulary that allows me to connect and experience it in a deeper, more intimate and personal way. I’m drawn to complexities – layers of light and shadow, repetition of forms and patterns, contrasts and forces that push and pull at each other.

I am interested in perception and how we interpret or express it. Each painting reflects my perceptions and thoughts about the subject. As the paintings begin to relate to each other, they also create a larger vision and a new relationship.

http://www.annegreenpaintings.com

annegreenpaintings@gmail.com 

 

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Nov
6
to Dec 12

Mark Overgaard at Pacific Avenue

Mark’s professional background is in software and computer engineering, but now, recently retired, he is thrilled to immerse himself in capturing and sharing compelling images of human culture and the wild world. After accumulating millions of frequent flyer miles on business travel, he delights in visiting new parts of the world in search of cultural and wilderness experiences and opportunities to capture imagery reflecting those experiences.

This exhibit focuses on two iconic aspects of India. One is the Holi festival, an annual spring celebration in which devotees of the Hindu Lord Krishna “play Holi” by splashing each other with colored powders and liquids in an often wild combination of spiritual fervor and fun. Holi is celebrated all over India, but with special intensity in Mathura, in the north India state of Uttar Pradesh.

Another iconic aspect of India is the colorful people and environs of the northwest India state of Rajasthan, including the residents of the ancient royal city of Jodhpur (the “Blue City”) and the surrounding Thar desert. In Jodhpur, brilliant colors enliven both building walls and beautiful saris. In the desert, colorful turbans contrast with the browns of goats and landscapes.

The images in this exhibit were captured during his trip to India in 2015. There is a larger gallery of images for that trip at http://www.remarkableimagery.net/India-2015/; there are other galleries featuring people, wildlife and landscapes of other parts of the world on that website, as well.

Phone: 831-438-1565

mark@movergaard.com

 

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Nov
3
to Dec 4

Scott C. Mehner at Coffee Cat

Scott C. Mehner is a creative writer with a long history of collaborating with other artists in order to provide his written words with a wider variety of stages on which to shine. He has written lyrics for some of the biggest bands in the world. In Scott's latest project, he has commissioned 20 artists and calligraphers from all around the world to illustrate his own poetry. Illustrated Poems is available in the local author section of Book Shop Santa Cruz.

 

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Oct
3
to Nov 3

Davina Pritchard at Coffee Cat

Davina Pritchard is a native of Santa Cruz who lives part-time in the Costa Rican jungle in a tiny dwelling she's building herself. 

Though she’s been an artist since childhood, the vibrant flora and fauna of Costa Rica inspired her to take up painting in earnest. She is known for her red eyed tree frogs. They get big smiles, which she says are her greatest reward as an artist. 

Since she travels frequently, wherever she goes, her artwork varies as the influences change. "The inspiration is endless in nature, exotic places and cultures. Wandering feeds my creativity."

Davina works with acrylic, oil, driftwood, rusty hardware and reclaimed materials, or "anything fun". 

A truly international artist, she has exhibited in France, Costa Rica, California, and her paintings can also be found in Australia, Germany, and Italy.

Contact: davina.pritchard@gmail.com

 

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Oct
2
to Nov 5

Danny Fernandez at Pacific Avenue

I love nature and its infinite beauty. My art is an attempt to capture the vibrance of life and the stillness of death, in their dance with one another. I focus on the extreme dualities of our existence and the way that these “perceived" dualities are actually balancing/supporting one another. 

Images are appealing to me because they say more than any word or even paragraph could ever say. Images open a part of our mind called the imagination that can take us to an infinite potential of thought. I make art to inspire the creative fire inside us all. I hope that my art makes people feel powerful and capable of doing the things that light that creative fire inside of them.

Contact: @dannyfernandezart

6617555321

 

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Sep
1
to Oct 2

Ed Smiley at Pacific Avenue

Thoughts on painting

I believe in the elusive. I believe in the poetic. I believe in ecstasy and in joy. If there is night, dawn approaches. Color is life.

My subject is multiple, indeterminate, and unlimited. I subtract only to add.

Those things that can unite with eccentric success and yet should not work together attract and amuse me. Taste is overrated.

For me narrative dilutes vision. I believe visual works are neither theory nor text and should not too easily be put into words.

I choose to express myself in an abstract way. This for me is the purest pursuit of reality, a reality that is fundamentally hilarious, interconnected and non-local.

Notes on my art practice

I use laserjet prints in my current work, transferred directly into the paint combined with glazes and direct gestural painting, masking, and spraying, worrying the surfaces using scrubbing, scratching and sanding. I also include charcoal, ballpoint pen, and occasionally paper, glitter, twigs and transferred paint skins.

I scan forms while moving them through the scanner create gestural effects which mimic but have uncanny dissimilarities to the brush. These form the “drawing” or skeleton of the work. The forms can come from found objects, fabrics, or be produced in fractal programs. 

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Sep
1
to Oct 2

Luz Donahue at Coffee Cat

I've been making watercolor abstract art for the last decade. I was born in San Jose, Costa Rica. Five years ago I moved to Santa Cruz and found inspiration in the ocean, mountains, forests, and sunsets.

The beauty here reminds me of where I came from.

Beauty crosses all cultural boundaries. I believe that through art, we canbetter connect to the humanity inside each of us--something our country desperately needs more of.

Until September 30th all proceeds from work sold on Etsy will go your hurricane relief charity of choice.  You may send a receipt of your direct donation to the organization over Etsy. You can choose to purchase over Etsy and I will donate to the Texas Hurricane Relief Fund. 
https://www.etsy.com/shop/LuzDonahueArt

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Mar
2
to Apr 9

Janet Silverglate at Coffee Cat

Although she has been part of the Santa Cruz art community as curator for Oswald Restaurant for the last eight years, Janet Silverglate has only recently been creating her own artwork. Janet has a B.A. in Art History/Dance from the University of California Riverside and a M.F.A. in Dance from Mills College. She danced in the Bay Area for many years until her move to Santa Cruz County. Janet has taught dance and Pilates at UCSC and choreographed for Cabrillo College.

Janet has always been a designer of many disciplines. Along with choreography she has designed gardens, interiors and worked in textile arts. An avid treasure hunter she has finally found her art form in Assemblage and Mixed Media. Using salvaged, found, recycled materials to create her work, Janet has come to love the process of design and construction. She participated in her second Santa Cruz Open Studios tour this past October and has been showing her work at various venues throughout Santa Cruz County. Recently Janet was part of the SCRAP program for the City of Santa Cruz. This pilot program allowed artists access to the Resource Recovery Center on Dimeo Lane.

She may be reached at jansilver@earthlink.net.

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Mar
1
to Apr 2

Drawn2Art at Pacific Avenue

Drawn2Art teaches students realistic drawing and painting. Curriculum is varied to include teaching still-life, the figure, landscape, portraiture, cartooning, animation, clay sculpture and more. This high quality fine art program offers art instruction that goes far beyond cut and paste, and arts & crafts. It teaches a student how to "see" in a new way and offers basic understanding of how to draw and paint.

Realistic drawing and painting skills help strengthen confidence, which in turn lessens frustration. Drawn2Art drawing and painting instruction helps students avoid continual dissatisfaction with their artistic abilities, so that they will not eventually give up pursuing art as a viable interest. Drawing and painting are learned subjects, just like any other.

In this art Exhibit we proudly present artwork done by our students over the past few years. The students are all local children ages 6-15 years old.

Drawn2Art is located in the King's Villiage Shopping Center.

218 D Mt. Hermon Rd

Scotts Valley, CA 95066

KidsArtSCoffice@gmail.com
(831) 439-9233

 

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